LIFE MODEL INTRODUCTION


Hello there, my name is Margaret Belle but you can call me Margie. I'm a 26-year-old Black plus-size model that's London born and bred. I'm a congenial, dependable, and dedicated professional based on the west side of Greater London. I'm a student by day and life model by night. You can find me on Instagram [@mnsbelle] where I document my daily life and am a mental health as well as a body positivity advocate.  I'm also a self-proclaimed dork, that's fearless when it comes to standing up for what I believe in. You should know I'm a huge champion of culture and hope that, particularly the arts, reach as many people as possible. That's a cause which is incredibly close to my heart. Art is a subject I've innately connected with since I was a babe and sincerely care so deeply about it, engaging with it as regularly as possible. Because ultimately, in the words of Louise Bourgeois, "Art is the guarantee of sanity," and as Gerhard Richter rightfully stated "Art is the highest form of hope."

BBC Radio 4's 'All in the Mind' Awards 2023

A lot of us experience a problem with our mental health at some point in our lives and help and support from people around us can make all the difference to how we cope day to day and on the road to recovery. BBC Radio 4's All in the Mind Awards want to hear experiences of brilliant mental health care and will recognise the unsung heroes who helped make the difference. Claudia Hammond from the 'All In the Mind' show want to acknowledge the people and institutions who have had a real impact on mental health. Of course I'm going with the 'Professional' award for a mental health professional whose dedication, help and support made a really significant difference to you. This could be a psychologist, psychiatrist, social worker, nurse, volunteer or other professional. Mine is a counselor.


How has this person/project made a difference to you and your recovery? Max 500 words.

I've known Geraldine since 2018 after a significant suicide attempt had me hospitalised for days, & signposted by the home treatment team. I was apprehensive because I hadn't had much luck with counselors or therapists before. But something that set Geraldine apart, was being able to physically identify with her. Being black & a woman reassured me. I hadn't ever felt tethered to someone who supports my mental health like there.

Geraldine creates a safe space for me to unload all my cares, burdens & mistakes. What particularly touches me is how she pays attention to materials outside sessions [in her personal life] that are relevant to me. She brings those back believing they might resonate with me in some way during our sessions. She doesn't have to, but she does so anyway & for that I am grateful. 

Geraldine's someone who easily comes to mind when I think of people who champion my success. She feels like a supporting role in my life story. I feel lucky to be able to say that, because not every person receiving therapy can. Not only that, she encourages me to thrive in my real life because she's intent on not only seeing me survive isolated, but rather revel in it. She challenges me tentatively further away from the edge of my comfort zones, at my own pace so that I can eventually thrive in a meaningful way. Her ubiquity's priceless & I dread the day when we no longer see each other.

It's apparent that she sees her vocation beyond the worthwhile mission that we carry out in that room. I continually feel considered, comprehended & genuinely perceived properly for the first time ever. She has undoubtedly improved my subsistence, no matter when I falter. It's been a liberating experience working with her & I've never felt deprived, excluded, dissappointed, or hindered by our time together. She's a significant facet that merges and facilitates the metamorphosis of my prior self-assured personhood, with elements of my contemporary autogenous self.

I am forever indebted to Geraldine & the progress we've been able to accomplish together. She has been a sanguine constant in my life over the past 4 years & if I could work with her indefinitely, I would. Geraldine has validated every single trauma of mine, whilst perceiving further damage I hadn't known I'd endured. She makes me feel so seen I could be translucid. I must also applaud her professionalism. Not once has she ever faltered in her role. Guiding & encouraging my growth. Not to mention, looking out for me in ways I would have never expected.

Geraldine has made an inestimable difference in my life because she's willed me to push myself further than I could ever have been able to fathom. She has legitimised my entire actuality, in ways that no one else has even come close to. She confirms my existence in the world, substantiating that I am indeed alive & real.

THERAPY & COUNSELING

I chose the image above as it represents the raw, unfiltered, most natural state of existence - being nude, naked. Going to therapy allows you to become a vulnerable, more authentic and truthful self, reverting you back towards childlike innocence. Without triggering or destructive consequences, provided that you are paired with the right physician.

Let's talk about therapy and counseling. Everyone is always banging on about how great it is and how everyone should invest in it, consequently themselves. And to be perfectly honest, those people are right! Even if you had a perfect childhood, life is incredible and you've suffered zero trauma, everybody has mental health that requires tending to.

2018 SPRING
I won't lie to I didn't really get on with it at first. I found it opened up old wounds so it seriously triggered me and subsequently friends who I leant on, as I didn't know how to deal with it by myself. I didn't find it rehabilitative and just dreaded it in general. My intial experience was with a lovely lady, provided through my university as my first introductory session, assessing what I needed. I was then matched with someone who frankly could've been replaced by a parrot. During those sessions are one of the few times I've cried in therapy, unfortunately for me my counselor was of no help or comfort whatsoever. I've come to learn that it wasn't very professional on her part to allow me to be vulnerable, unveil triggering memories only to then leave me to pick up all the pieces. I was only given 6 sessions by my university so my mum kindly found me a private therapist to go to following on from that.

It was eye-wateringly expensive and we just couldn't connect. In fact something that really out me off him was that he said I should be lucky or grateful that my life was falling apart at that time. And boy did that make my blood boil. How dare he insinuate that then, was a good time to go through a mental health crisis, and not later in life. RED FLAG ALERT! Nonetheless, the catch is that there's never a good time for unstable mental health. Ever. No matter your age, it sucks. 100% of the time. Having poor mental health now, doesn't somehow insure you against having it again in the future. Case and point, the following year I had a hard factory reset as I call it. So basically a psychotic manic breakdown. This lead to me being hospitalised and subsequently sectioned.

Needless to say, we didn't have many sessions after that, because what he said was a load of tosh! And who even knows, maybe I've always had an innate biological prerequisite for mental health problems, or mine were triggered by environmental or traumatic factors that have occurred in my life? The catch is, we'll never truly know. But he was extremely out of touch, unsympathetic and unprofessional to state what he did.

Additionally there's very little a working-class young black cosmopolitan girl has in common with a middle/upper-class middle aged white man. Not to mention, there's never good to have mental health problems. Ever. Can you imagine saying that to someone who's suicidal?!

2018 AUGUST
Fast forward a couple of months from seeing him in 2018 I made catastrophic attempt on my life and had to be hooked up to live saving medication in hospital over the Notting Hill Carnival long weekend. So whilst I had had several attempts earlier that year whilst at university and went to hospital following an overdose [with a self-centred, inconsiderate and callous "friend"], I was rightly put in touch with a crisis team. Unfortunately I couldn't stick around long enough to actually get any help, as graduation season was looming and ultimately summer was just around the corner and naturally I was hellbent on getting home.

2018 SEPTEMBER 
Usually after hospitalisation following an attempt on your life, a person from the mental health team comes and talks to you. I was then placed under the care of the home treatment team which encouraged me to sign up to free counseling in my borough. Additionally they arranged for me to begin Cognitive Behavioural Therapy [CBT] through the organisation called Children and Adolescent Mental Health Services [CAHMS]. Luckily for me, these were much better experiences and restored my faith in talking person centred therapy which I had assumed I detested. Don't get me wrong, I still loathed it. But I did it anyway. CBT was useful to an extent because it made me really breakdown, interrogate and asses my thoughts, whilst giving me a few tools to navigate my problems. After an appropriate amount of time I was discharged but continued the free therapy through my borough. Upon reflection I don't think CBT worked that well for me, so after talking to a friend of a friend I have asked to be put on the waiting list for Dialectical Behavioual Therapy [DBT] as I think it might help me with emotional regulation and give me vital coping mechaniss. 

Regarding the free counselling I receive from my borough, luckily for me, I was paired with a Black woman. And I have to tell you how refreshing is to finally be acknowledged for the first time. The Black experience is such a imperative part of my life, that's intricately woven into it. So to connect with someone who understood me wherever I was coming from on an intermutual level, was completely reassuring, priceless and succouring.

2019 SPRING
After my psychotic manic episode, I was transferred to a different department of my local NHS mental health establishment called the Early Intervention Service [EIS]. This tenet of my local mental health institution was specifically set up to aid those experiencing or having experienced a psychotic episode for 3 years maximum. From there, I had access to seeing my second ever psychologist.

At first I was apprehensive, but over time a rapport was built and I felt better understood. It was a bit hard to do two talk therapies simultaneously so the counseling was put on pause, especially after I started skipping sessions. Sometimes it's hard to show up for yourself when you're not in the best of head spaces. I do feel very luck to have had access to the two concurrent kinds of therapies at once though.

2020 EARLY WINTER 
I've fortunately been able to give art therapy a go even though COVID-19 thwarted our inaugural sessions. My time at those free NHS sessions weren't exactly what I had expected from art therapy. I was hoping for more of a structured, taught class. As opposed to just having a specific time and place to do whatever you feel like creating, given the supplies available. Despite that, I did find it restorative and therapeutic in some ways. And bonded with a fabulous older woman in my class. It's a shame that it came to over a year of not being able to access it through.

2020 MAY-DECEMBER
My time with the second psychologist's and our time together was hugely disrupted by COVID-19 so naturally we commenced talk therapy over the phone. It did progress to in person appointments again, but I did come to the end of my tenure with that psychologyst by the spring of 2021. And I decided to restart counseling up again. 

2021 SPRING
So after finishing with that second psychologist, I resumed sessions with my local borough's counselling service. Again I was matched with my first and foremost choice of my well established counselor.


2021 AUTUMN
Therapy and me went on a hiatus during my attempt at going back to university to study Architectural History at Edinburgh University. However my mental health had other plans and drastically deteriorated. My mental decline was caused by a factor of things. The shock of not having my support systems in place and being physically far away from them. That distance was soul crushing. The gap of time between being set up with a new mental health team. Being housed inappropriately despite my physical health conditions. Not the most considerate of housemates. And working at a more substantial workload, pace and depth than I'd gotten used to. In particular, my poor ability to use exceptionally more executive function than I had gotten accustomed to in recent years. Something else I didn't appreciate about being in Scotland was that their system is that it's like the American one. You have a major then minors. As someone who already found it hard to engage with my genuine curiosities earnestly, studying that alone was difficult enough by itself. Never mind adding several other course I had no desire to pursue, no matter how negligible. And one of which I found completely preposterous, ridiculous and far fetched [but I'll keep that one to myself] only after enrolling and taking classes in it. I declined so rapidly in a space if a mere few weeks that I was pushed to the brink of suicidal ideation. Ultimately, I made the expensive and humiliating decision to withdraw and head back to London with my tail between my legs; ashamed that I didn't last very long on this embarkment that was supposed to elevate me, to a new plane of contentment and success had failed. My second failing in the higher education system was beginning to pile up. So back home I went, fragile and on the brink of ending it all.

I also had to then go through, a major life improving, gynecologic operation and despite the tough recovery [comparative to a C-section but without the newborn] my mental heth improved. Simply because I was at home in my comfort zone, surrounded by familiar faces and places. I'm never one to get homesick but boy did Edinburgh switch that up for me!

Whilst I was getting better I didn't really feel able to go about the possibility of engaging in talk therapy, especially in person. I didn't have it for a while and I concentrated on my physical health putting my mental health aside.

2022 EARLY WINTER 
After the severity of COVID-19 calmed down a bit, I started therapy with a new psychologist [my third] and I must say that we really got on well! She was a young woman and I found her extremely personable, kind and magnanimous. She helped me look at achieving goals, exploring my values and increasing my activity output, in order to alleviate clinical depression. Though our time was limited, due to my time period coming to an end with EIS, I still retain the things I've learnt and refer back to her final evaluative letter to me as needed.
 
I once again resumed some art therapy sessions in a completely different way. This time it was an outdoor activity. Not the greatest of weather conditions to do such activities in, so that wasn't ideal. I continued to not appreciate how loose in structure the classes were. Was it slightly better that before? - Yes! But it wasn't enough for me. It was quite awkward to get to and required a fair amount of walking. Some members of the group irked me and I was never that pleased with whatever I produced. Eventually I stopped going but so did my mental health.

Thankfully after a short waitlist I was able to resume my free counselling with the same counsellor.

Following a period of momentary post-op bliss, my mental health decayed to the state at which I didn't feel safe having access to my medication; for fear of being tempted to overdose.

2022 SPRING
So my mum sought reinforcements in the form of a private therapist. I found her to be unquestionably loyal, perceptive and compassionate. We even broached Eye Movement Desensitization and Reprocessing [EMDR] therapy to help me process trauma. Even though those particular sessions completey wiped me out, I'm not exactly sure if I really came away being any less traumatised. So I'm thinking of seeking out a trauma focused private therapist next year. I definitely would recommend working with her and she was reasonable with her rates given my circumstances.
 
2022 SUMMER
Because I introduced another form of talk therapy and reduced my weekly counselling appointments to fortnightly, naturally there became a conflict of interest as my counselor only provides weekly appointments. I was messing up her schedule and possibly someone else's that needed treatment too. Thus, I decided I might as well make the most of the free counselling I receive [I'd been coming to the end of my time with them relatively soon anyway] so I put that private therapist on hold until later down the line perhaps?

The one art therapy class I highly enjoyed was one that took place in a listed stately home in my area that had a decent amount of nature on the grounds. These classes we so much more focused and taught that, despite the morning start, I made an effort to go to every single one. Remaining as engaged as possible, looking forward to sessions and producing work I for once didn't mind the state of. The other participants were nice too. And it was nice to roam the house grounds.

2022 SEPTEMBER
Through the suggestion of my 4th most recent private psychologist, I went looking for a bipolar support group via Bipolar UK in my local area. I looked up what ones were available, specifically in London and hopefully a reasonable distance to travel to. I discovered one a couple miles away that occurs once a month. I emailed the group to register interest, then they got in contact with me about where it is, what time and when it happens. At first I went with my Ma in October, then alone from the next month onwards. I have asked for my sister to attend a meeting with me but her schedule is quite jam-packed at the moment, so we'll see. I try to show up because it's a community I feel a part of. I can be as candid as I like, listen to other experiences that resonate with me and learn how to manage my disorder better. Also, it's an opportunity to make connections, be sociable and feel understood yet relatable. I'm actually rather chuffed to admit that I've made a new friend from attending meetings and they've grown to have an important, significant part of my friendship circle. I catch up with them beyond those monthly meets and hang out one-to-one. I won't lie, sometimes I'm reluctant to attend some sessions because it's a journey I'd rather not do and stay at home. It's quite a sobering experience sometimes through the vulnerable truthful things that spill out of participants' mouths. Overall, I know it's best for me to engage with the group as they completely get my disorder but I appreciate that group therapy feels less safe, secure and sure. Nonetheless, you can just listen instead of personally participating. The only thing I will say is that I personally would like meetings to be more frequent. At the very least fortnightly or at the most, weekly.

CLOSING THOUGHTS
I know that amongst the black community there is a particular predilection to keep tight lipped about mental health problems, never mind actually going to therapy but it's been nothing but a life saver for me. 

All in all I think therapy is a good thing and over the last year it's something I've grown to depend on and crave. I may not always want to get out of my bed, leave the house and travel but I show up for myself because somebody has to. And it's conclusively an asset for me. It's such a luxury to be able to talk at someone about your problems without burdening loved ones, knowing you have a judgement free zone to express how you're authentically feeling and profoundly fathomed. It allows you be able be so frank and process things in a guilt free form. I feel very lucky to have had, and have so much access free therapy. Highly recommend researching what's available locally in your area or talking to your GP about additional mental health support. Especially if you're a young person. Alongside medication, it's been imperatively remedial for me. So I've made a promise to myself that it will be something I continue with, and pay for out of pocket, if needs be, for the rest of my life. Purely because it's good to continually engage in restorative practices. 

I wanted to end on the note that I've made such unfathomable and impressive progress with my local counselor that after listening to BBC Radio 4's, "All In the Mind" podcast/show [on her extracurricular suggestion], I've made the decision to nominate her for an award. In particular the professional award for
a mental health professional whose dedication, help and support made a really significant difference to me.

Because I have experienced mental health difficulties now, in the past and my counselor is a person who's a part of an organisation that has made a huge difference to my life. Claudia Hammond and BBC Radio 4 want to recognise the people and institutions who have had a real impact on mental health. Thus I naturally felt compelled to nominate my counselor, making my appreciation publicly known, in a way that could shine a spotlight on both herself as well as the organisation she works for. If you would like to read what I submitted regarding said counselor, please find it here.

Anyway, thank you so much for reading, especially if you've made it this far. I'm so grateful for your time spent taking in my words. Thank you.


Reflective Journal #3: Rachel Whiteread, Tate Britain


Having been a fan of Rachel Whiteread for many years, I was elated to experience her Retrospective exhibition at the Tate Britain. I didn’t expect it to be as thought provoking as it was. I just couldn’t help but be drawn to the graveyard of ghosted objects, hearkening to the confines they once occupied. I say this because I felt there was a sense of passing that permeated the room. In my mind, each object cast represents a memorial of what once was. And it is this which I find fascinating about the process of Whiteread’s work; in order to create what she does, the vessel used must be destroyed (more often than not) for the genesis of the cast which is a parasitic entity to a certain degree. Yet in the same way, turning these objects into art elevates them with further purpose and value. Encapsulating these things, as they were, at that moment in time – a freeze frame if you will. In addition to this, the medium of casting manages to provide a certain significance to the void of space. Those void spaces, now in relief, in tandem with the vacancy and indent of things that were, which are now absent immediately made me think of the Bebelplatz book burning memorial in Berlin (see figures 1 & 2). The absence of the books, and the emptiness of those shelves are much more profound than filling those voids could ever be. Moreover, by casting voids Whiteread manages to make the space that once was, now impenetrable and perceptible providing an awareness to it, that could’ve been taken for granted. Observing our environment with this inverted view offers a fresh perception of space as well as an appreciation for materiality through the meticulous impressions casts can achieve.

Figure 1: Untitled [Bookshelves] by Rachel Whiteread, (2003) Source: Margaret Belle 
Figure 2: Bebelplatz, Berlin Source: https://upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Berlin_DenkmalBuecherverbrennung_BookBurningMemorial_Bebelplatz.jpg/1280px-Berlin_DenkmalBuecherverbrennung_BookBurningMemorial


An Open Letter to Theresa May & fellow Paigons

Dear Theresa May & fellow Paigons [special thanks to Stormzy for this turn of phrase],

For those of us who are clued up on the European Union; its purpose and the origins of its establishment foresaw the catastrophe that is Brexit. Nonetheless, the UK democratically voted to leave, so it's what we've got to deal with. [Despite the questionable ethics and legalities of the Leave Campaign. But alas, I digress.]

It's absolutely preposterous to be so closed minded about freedom of movement. It never stopped Imperial Britain colonising a significant proportion of the world before. Never mind, running riot & looting what was never theirs to begin with. And let's not forget their role and participation in the slave trade.

So whilst the earth, sky, and sea legitimately on a technicality belong to no-one, obviously rules and regulations maintain a certain order to avoid chaos.

Nonetheless, to restrict UK borders is to mock that hand of immigration that has fed this country, of Great Britain. It's quite frankly insulting, to be honest. Given that Great Britain was built on the backs of exploitation and the transatlantic slave trade. I'm aware of the so-called emancipation of slaves and decolonisation but then came the Commonwealth.

As wonderful as that "compromise" appeared, it still allowed GB to further exploit past conquests. How? Well, states affiliated with the Commonwealth were tapped into as a resource for during the World War. So graciously some graciously obliged for a meaningful and important cause.

Then post-war Britain evidently had been depleted by WWII and again called out to the Commonwealth. Under the guise of good job prospects, a better quality of life and even citizenship. Hence, the Windrush Generation that are currently being treated with such hostility, even though they were instrumental in helping bolster this country to greatness. Let's not forget the second wave of immigrants some years later too.

They migrated to build up services, infrastructure and replenish the economy. For example, midwifery, the transportation sector, general practitioners, the NHS and so forth. Thus, the way in which they and their relatives have been and continue to be treated is quite frankly insulting. Absolutely abhorrent and absurd.

Yourself and some of your colleagues were fortunate enough to capitalise or benefit from said immigration. We all continue to, given the current freedom of movement, subsequently, your lack of respect is astounding. You should be ashamed. This nation's prosperity thrives off of support immigration provides. It is notably dependant on it.

Of course, policies that are just, fair and lawful are without question and evidently crucial. But only when handled with common decency. Together with dignity and without bias immigration is incredibly enriching.
We've also obtained the countless advantages of European immigration into various UK sectors such as the arts, education and scientific stratum. Consequently, I find it absolutely baffling that you fail to appropriately acknowledge the significant relevance of immigration and your animosity towards it.

I'm hardly an expert on these subjects, but I paid attention in my GCSE & A Level History classes in state schooling. [Shout out to Mr. Markall, Mr. O'Driscoll Ms. V. Davies, Mr. Fountain, Mr. O. Carr & Mr. Roberts.] Given how much the elite benefit feel threatened by diversity and empowered minorities; I'm disappointed but not surprised that yourself and colleagues alike aren't doing better. Even though the likes of yourself and co. had access to a higher calibre of alma mater, you've been fortunate to access. We expect better, perhaps your privilege has blinded you.

Yours sincerely,
A product of the British Empire's own design named Margaret Belle. A first-generation immigrant of West African and West Indian descent. As well as a fed up British citizen 🇬🇭🇩🇲🇬🇧

P.S. It is coming up to the second anniversary of the Grenfell Tower fire and thorough reparations are overdue. Don't think anyone has forgotten or not noticed. DO BETTER NOW, NOT LATER.

So... how are you?


The three words I dread to hear.
You mean apart from wanting to cease to exist? I suppose I'm fine.
Except for battling with my crippling mental health goes something like this...
I’m numb to everything but my anxiety and depression, that make me an imposter of who I think am. 
Awoken by my raised pulse, anxiety bludgeons my stomach each and every morning. Forcibly removing me from the sweet release of sleep. 
In my uncomfortable haze of realising I'm still alive, my eyes are pricked with tears. I can't help but weep at the thought of another day I must endure a painfully exhausting existence. And anticipate that every waking moment will be one of dread and despair.
I feel as though I'm sinking slowly. And if you dared look into my eyes I'd bring you down with me too.
I'm beginning to realise it hurts to exist. In every possible way imaginable. From the very crown of my head to the soles of my feet.
This is now life as I know it and I don’t remember what it means to be happy. Was it ever real? All I do is lament the happiness I know no more. And turn the pain into 'art', in the hope that it at least counts for something. 
That all this suffering isn’t for nothing.

the reading of my poem aloud, spoken word

^ A spoken word poem about mental health and how it feels to live with depression and anxiety. If you feel like you're struggling with your mental health please talk to someone and refer to the links provided below. Hope you can understand why I've been away for a while.

16 Little Things You Can Do For Someone With Anxiety
http://www.buzzfeed.com/florapaul/16-little-things-you-can-do-for-someone-with-anxiety?bffbdiy&utm_term=.hsyGrYRPx#.tfbR73KOZ

My Blogpost on 'Coping with Anxiety'
⁍  http://www.margaretbelle.co.uk/2016/04/coping-with-anxiety.html 

Mind 
⁍ http://www.mind.org.uk/

Samaritans
⁍ http://www.samaritans.org/

NHS
⁍ http://www.nhs.uk/Conditions/stress-anxiety-depression/Pages/mental-health-helplines.aspx

Zoe Sugg's Anxiety Q&A
⁍ https://www.youtube.com/watch?v=Sjuk3WMZByo

Zoe Sugg: Dealing with Panic Attacks & Anxiety
⁍ https://www.youtube.com/watch?v=7-iNOFD27G4

margaret belle

MAKE UP: Superficial or Skin Deep?

More often than not, cosmetics are thought to go hand in hand with superficiality and sometimes insecurity or low self-esteem. Whilst sometimes, this may be the case, it can be so much more than that.


 I must admit, when I was in middle school I thought it to be something girls did for someone, like for attention of boys, and not for themselves. But upon stumbling upon the online sphere and community of beauty bloggers + vloggers I've discovered that I was wrong to think that. And whilst it can be empowering to go bare faced, it's just as empowering to cake on a full face of makeup to, to take on the day.


Now that my beauty routine has become sort of a ritual for me, I've been enlightened at how much of a boost the act of putting on my face, let alone what the results of my efforts, do for me. I often describe it as something similar how to a guy might feel putting on a suit; there's just something about it that makes you feel put together, giving you this mindset, a sense, that you could take on the world and do anything. I feel like this especially when I'm wearing my signature red; MAC's Barbecue lipstick in a retro matte finish.


Having that time to at the start and at the end of the day, just to myself, for myself is so refreshing - and I never get tired of it. Especially when it's term time and things are hectic, my beauty ritual is usually the only time I get to myself, so I relish and savour it greatly. I'll usually have some music play or put on a YouTube video and try to enjoy the touch of self care I need to keep me sane.


What are your thoughts on cosmetics and if you think there's more under the surface?

You may think is sad, tragic even that those items on that shelf cheer me up and improve my mood, but I think its empowering. That those small, seamlessly insignificant things can brighten my mood and make me feel so incredibly self assured about myself.



If you would like to know what's on my face, check out my Bronzed Fresh Glowy Natural Makeup + Skincare tutorial I filmed for my channel.

Thanks for reading by,
much love,

Margaret

x



Rana Begum: 'Space Light Colour' at The Sainsbury Centre

Some of you will know, from my vlogs, that one of my besties Nalini came down from London to pay me a visit a couple weeks back. And one of the things I was desperate to show her; seeing that she would be in town, was The Sainsbury Centre - of course! Especially seeing as Rana Begum was exhibiting. it was bound to be a good show.

Be sure to check it out here: http://scva.ac.uk/art-and-artists/exhibitions/rana-begum

It's one of my favourite places to go in Norwich. I have been itching to see the Rana Begum's exhibition for a while now, because her work was familiar to me as I'd seen some of it last summer in London (after waiting in line for over four hours! with my little brother) to see Yayoi Kusama's exhibition at the Victoria Miro Gallery. Begum's works were across the way, in the neighbouring Parasol Unit Gallery. They were captivating and caught my eye in such a way that I knew I had to pop down to the UEA campus and get another look.


Upon traversing the spiral staircase up onto the mezzanine gallery level, we were instantly immersed and encompassed by Begum's 'No. 670 [2016]' Mesh installation. 


A sea of limey yellow, crimson red, and a deep grey gridded irregular structure, with edges that seemed to blur together.  This installation seemed so solid yet ghostlike, with an ethereal material quality in its composition. Without a definite starting or finishing point.


One thing I noticed was that this piece cast some really wonderful shadows on the walls around it which I thought were lovely. The shadow play was like a piece itself and I for one are here for shadow play. 


Nalini was particularly mesmerised by it, so we spent a good while getting lost in it both upon our entry and exit of the exhibition.  It was nice to lay and sit on the floor, and gaze at it from varying viewpoints.



Next I was drawn to this display cabinet of model and maquettes of what I can only assume to be (from the architecture student's viewpoint) the investigative process of trialling projects on smaller scales to see and get a feel for what they look like realised with relative human scale. 


I'm not sure exactly what scales they were, definitely a range and some really large ones - I've never seen scale model people so big before! These were wonderfully displayed on a shelf with varying void with glass on either side so we could get differing perspective of some pieces. I could've stared at them for hours!


My favourite was the one where there were a series of coloured acetate squares that hung, suspended.



I also love this one where there was a wooden slab, a beautifully bent piece of metal and a piece of concrete attached.


Something else within that space, were these beautiful folded sculptural jaunty triangular planes that sat on the wall, infused with pops of colour. 


So as you traversed around them different colours would show, or there would be a glow hue of a colour of a face you couldn't necessarily see, but knew was there.



The one thing I love most about Begum's work is how simple yet impactful it can be. The following piece; 'No. 161' , 2008 (paint on powder-coated aluminium, each of 16 pieces: 250 cm height) I particularly liked. Not only was it fab to photograph it was a beauty to marvel at too!


Again with the shadows, there was some nice play of the cast on the walls. Something which I really enjoy about Begum's work is that to really experience it you have to move around it, to appreciate the work in it's full glory.


This is particularly apt in her piece 'No. 658' where the colours from sculpture each stood out in different ways, depending on where you stood. It's a bit tricky to describe and a photograph doesn't seem to do it justice. You just kinda have to be there. Another piece I should mention is 'No. 529 2014' which was so striking I actually didn't get my camera out and just sat down to marvel in its awe.

Something particularly poignant that Begum has said is that; 'Form and colour are at the mercy of light.' This really stuck with me and I feel like her work definitely acknowledges that.

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I did happen to make a video blog that day so feel free to check that out to see an overview and and glimpse of this exhibition. Nalini had such a great time that she's headed back there today in fact!





Upon exiting the exhibition space Nalini and I noticed the bright orange fluorescent jackets and had ourselves a little photoshoot.


         

We were supposed to photograph their glowing reflection against the white walls of the mezzanine gallery. but by the time we had finished with the photos, we were far too warm to do much else.


Mind you we were experiencing a heatwave here in the UK and those jackets were far from breathable.


We had such a great time mucking about in these jackets! I love some of these snaps Num got of me, some very candid, some not so much.


I genuinely felt like we were on an old school America's Next Top Model episode doinig a high fashion photoshoot challenge.


After feeling like supermodels for the day, we headed into the main collection as I had to pick up my student member card and had a quick look. I particularly liked these to pieces that were suspended from the ceiling. I am always here for anything suspended, there's just something about it that intrigues me. 'Variable Screw' by Kenneth Martin (left) and 'Sphère-Trame' by François Morellet (right).


Another thing I actually had semi-breakdown over were the collection of Antony Gormley sculptures dotted around the campus. Nalini actually captured and made fun of this on here snapchat. I vlogged the day so you can view that here where I include the clip.


Shoutout to UEA and the Sainsbury Centre for giving NUA student concessions on exhibitions and events - it's greatly appreciated. It's also just a lovely space to explore and roam - as an architecture student I am constantly in awe of it. Every. Single. Time.


Thanks for reading by,
much love,

Margaret

xx


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